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altarpiece


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Assumption of Saint Mary Magdalene, central sculpture of the Berki Altarpiece (northern Hungary, today Rokycany, Slovakia), 1480-1490, painted and gilded wood, 161 x 121 cm, Hungarian National Gallery, Budapest

Posting it again, knowing that this time it will get to MUCH more people than on 04 Oct 2010…

Assumption of Saint Mary Magdalene, central sculpture of the Berki Altarpiece (northern Hungary, today Rokycany, Slovakia), 1480-1490, painted and gilded wood, 161 x 121 cm, Hungarian National Gallery, Budapest

Posting it again, knowing that this time it will get to MUCH more people than on 04 Oct 2010

10:31 pm: barauxfolies1 note

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Giczy János (Hungarian, 1933- )
Look at those “bonnardesque” faces.

Giczy János (Hungarian, 1933- )

Look at those “bonnardesque” faces.

05:44 pm: barauxfolies

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the Maestà altarpiece by Duccio di Buoninsegna, 1308-1311, tempera and gold on wood, 213 × 396 cm, Museo dell’OPerA Metropolitana del Duomo, Siena
The Maestà of Duccio is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di Buoninsegna. The painting was installed in the cathedral of Siena on June 9, 1311. The front panels make up a large enthroned Madonna and Child with 19 saints and 11 angels, and a predella of the Childhood of Christ with prophets. The reverse has the rest of a combined cycle of the Life of the Virgin and Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. 
The altarpiece remained in place until 1711, when it was dismantled in order to distribute the pieces between two altars. The five-meter high construction was dismantled and sawn up, and the paintings damaged in the process. Partial restoration took place in 1956. The dismantling also led to pieces going astray, either being sold, or simply unaccounted for. Extant remains of the altarpiece not at Siena are divided among several other museums (among others, the Szépművészeti in Budapest).
(source: wikipedia)

the Maestà altarpiece by Duccio di Buoninsegna, 1308-1311, tempera and gold on wood, 213 × 396 cm, Museo dell’OPerA Metropolitana del Duomo, Siena

The Maestà of Duccio is an altarpiece composed of many individual paintings commissioned by the city of Siena in 1308 from the artist Duccio di BuoninsegnaThe painting was installed in the cathedral of Siena on June 9, 1311. The front panels make up a large enthroned Madonna and Child with 19 saints and 11 angels, and a predella of the Childhood of Christ with prophets. The reverse has the rest of a combined cycle of the Life of the Virgin and Life of Christ in a total of forty-three small scenes; several panels are now dispersed or lost. 

The altarpiece remained in place until 1711, when it was dismantled in order to distribute the pieces between two altars. The five-meter high construction was dismantled and sawn up, and the paintings damaged in the process. Partial restoration took place in 1956. The dismantling also led to pieces going astray, either being sold, or simply unaccounted for. Extant remains of the altarpiece not at Siena are divided among several other museums (among others, the Szépművészeti in Budapest).

(source: wikipedia)

10:36 am: barauxfolies19 notes

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Coronation of the Virgin by Enguerrand Quarton (Charonton), 1454, tempera on panel, 183 × 220 cm, Musée Pierre de Luxembourg, Villeneuve-lès-Avignon

Coronation of the Virgin by Enguerrand Quarton (Charonton), 1454, tempera on panel, 183 × 220 cm, Musée Pierre de Luxembourg, Villeneuve-lès-Avignon

12:44 am: barauxfolies18 notes

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St. Anne Altarpiece (Detail), from the Church of St. John the Baptist, Kisszeben (Sabinov, today Slovakia), 1515-1520, Wood, 572 × 198 cm, Hungarian National Gallery, Budapest

 

St. Anne Altarpiece (Detail), from the Church of St. John the Baptist, Kisszeben (Sabinov, today Slovakia), 1515-1520, Wood, 572 × 198 cm, Hungarian National Gallery, Budapest

12:29 am: barauxfolies19 notes

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Altarpiece of Saint Anne with the Virgin and Child (Mettercia), unknown master, c. 1500, Tempera on wood, 144 x 103 cm (central panel), 69 x 46,5 cm (wings, each), Hungarian National Gallery, Budapest

Altarpiece of Saint Anne with the Virgin and Child (Mettercia), unknown master, c. 1500, Tempera on wood, 144 x 103 cm (central panel), 69 x 46,5 cm (wings, each), Hungarian National Gallery, Budapest

11:26 pm: barauxfolies18 notes

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The Resurrection by M.S. Master, 1506, Tempera on wood, 156 x 78 cm, Christian Museum, Esztergom, Hungary

The Resurrection by M.S. Master, 1506, Tempera on wood, 156 x 78 cm, Christian Museum, Esztergom, Hungary

01:21 am: barauxfolies13 notes

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The Annunciation, Shrine of a Side Altar from the Church of St. John the Baptist, Sabinov (Slovakia), 1515-1520, wooden sculpture, 223 × 126 cm

The Annunciation, Shrine of a Side Altar from the Church of St. John the Baptist, Sabinov (Slovakia), 1515-1520, wooden sculpture, 223 × 126 cm

12:38 am: barauxfolies11 notes

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The Baptism of Christ by Cima da Conegliano, 1493-94, oil on panel, 350 x 210 cm, San Giovanni in Bragora, Venice

The Baptism of Christ by Cima da Conegliano1493-94, oil on panel, 350 x 210 cm, San Giovanni in Bragora, Venice

03:36 pm: barauxfolies8 notes

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The Seven Sacrament Altarpiece by Rogier van der Weyden, 1445-50, oil on oak panel, 200 x 97 cm (central panel), 119 x 63 cm (side panels, each), Koninklijk Museum voor Schone Kunsten, Antwerp

The Seven Sacrament Altarpiece by Rogier van der Weyden1445-50, oil on oak panel, 200 x 97 cm (central panel), 119 x 63 cm (side panels, each), Koninklijk Museum voor Schone Kunsten, Antwerp

11:09 pm: barauxfolies1 note