Emile Zola (1840–1902)
Nana
Autograph manuscript signed, 1880The Morgan Library
Just started reading Le ventre de Paris!
Emile Zola (1840–1902)
Nana
Autograph manuscript signed, 1880The Morgan Library
Just started reading Le ventre de Paris!
“Where is God? What is God?”
“My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me.”
“You are sure, then, Helen, that there is such a place as heaven; and that our souls can get to it when we die?”
“I am sure there is a future state; I believe God is good; I can resign my immortal part to him without any misgivings. God is my father; God is my friend: I love Him; I believe He loves me.”
“And shall I see you again, Helen, when I die?”
“You will come to the same region of happiness; be received by the same mighty, universal Parent, no doubt, dear Jane.”
Again I questioned; but this time only in thought. “Where is that region? Does it exist?” And I clasped my arms closer around Helen; she seemed closer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said in the sweetest tone,‹
“How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don’t leave me, Jane; I like to have you near me.” “I’ll stay with you, dear Helen: no one shall take me away.”
“Are you warm, darling?”
“Yes.”
“Good-night, Jane.”
“Good-night, Helen.”
She kissed me, and I her, and we both soon slumbered. (…)
… a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in a little crib: my face against Helen Burns’s shoulder, my arms round her neck. I was sleeping, and Helen was - dead.
Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word ‘Resurgam’.
(Collins Classics, 2010, pp. 80-81)