Tagged
16th century


picture
leonardian:

“Il moto è causa d’ogni vita.”~ Leonardo da Vinci
“Motion is the cause of all life.”


Mmm mirror writing by a true left-handed.

leonardian:

“Il moto è causa d’ogni vita.”
~ Leonardo da Vinci

“Motion is the cause of all life.”

Mmm mirror writing by a true left-handed.

(via rclinkdump)

07:33 pm: barauxfolies61 notes

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cavetocanvas:

Giorgio Vasari, Portrit of Lorenzo the Magnificent, n.d.

What a hand.

cavetocanvas:

Giorgio Vasari, Portrit of Lorenzo the Magnificent, n.d.

What a hand.

08:12 am: barauxfolies189 notes

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centuriespast:

PACHER, MichaelMary of Burgundyc. 1490Oil on wood, 47,5 x 35 cmHeinz Kisters Collection, Kreuzlingen

centuriespast:

PACHER, Michael
Mary of Burgundy
c. 1490
Oil on wood, 47,5 x 35 cm
Heinz Kisters Collection, Kreuzlingen

03:59 pm: barauxfolies185 notes

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colourthysoul:

Raffaello Sanzio - Ritratto di donna (ca. 1518-1520)

colourthysoul:

Raffaello Sanzio - Ritratto di donna (ca. 1518-1520)

(via jaded-mandarin)

01:21 pm: barauxfolies176 notes

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centuriespast:

DOUVERMAN, HendrickSt Ursulac. 1520Oak, height 93 cmRijksmuseum, Amsterdam

centuriespast:

DOUVERMAN, Hendrick
St Ursula
c. 1520
Oak, height 93 cm
Rijksmuseum, Amsterdam

03:19 pm: barauxfolies47 notes

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Anna Jagiello (1503-1547, queen of Bohemia and Hungary 1526-1547 and mother of 10!!!) by Hans Maler zu Schwaz, Innsbruck, 1519. Madrid, Museo Thyssen-Bornemisza
windypoplarsroom

Anna Jagiello (1503-1547, queen of Bohemia and Hungary 1526-1547 and mother of 10!!!) by Hans Maler zu Schwaz, Innsbruck, 1519. Madrid, Museo Thyssen-Bornemisza

windypoplarsroom

10:17 pm: barauxfolies49 notes

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books0977:

St. Mary Magdalene Reading (c1525-1550). Artist not known, described as Master of the Half-Figures (Dutch, active in the first third of the sixteenth century. Oil on wood. Louvre Museum. Department of Paintings. Acquired in Brussels in 1834.
St. Mary Magdalene, recognizable by the attribute, the box of ointment, is represented in a domestic context which approximates portraiture; her clothing is after the fashion of the 1520s, and the clock hanging on the wall, referring to time passing, doubles as an allegory of vanity.

books0977:

St. Mary Magdalene Reading (c1525-1550). Artist not known, described as Master of the Half-Figures (Dutch, active in the first third of the sixteenth century. Oil on wood. Louvre Museum. Department of Paintings. Acquired in Brussels in 1834.

St. Mary Magdalene, recognizable by the attribute, the box of ointment, is represented in a domestic context which approximates portraiture; her clothing is after the fashion of the 1520s, and the clock hanging on the wall, referring to time passing, doubles as an allegory of vanity.

(via almawinemiller)

01:56 pm: barauxfolies59 notes

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The Peasant and the Birdnester by Pieter Bruegel the Elder, 1568, oil on panel, 59 x 68 cm, Kunsthistorisches Museum, Vienna
disturbthebookmites:

The Peasant and the Birdnester, Pieter Bruegel the Elder, 1568.

The Peasant and the Birdnester by Pieter Bruegel the Elder, 1568, oil on panel, 59 x 68 cm, Kunsthistorisches Museum, Vienna

disturbthebookmites:

The Peasant and the Birdnester, Pieter Bruegel the Elder, 1568.

(via windypoplarsroom)

11:33 pm: barauxfolies13 notes

picture
 
St. Anne Altarpiece (Detail), from the Church of St. John the Baptist, Kisszeben (Sabinov, today Slovakia), 1515-1520, Wood, 572 × 198 cm, Hungarian National Gallery, Budapest

 

St. Anne Altarpiece (Detail), from the Church of St. John the Baptist, Kisszeben (Sabinov, today Slovakia), 1515-1520, Wood, 572 × 198 cm, Hungarian National Gallery, Budapest

12:29 am: barauxfolies19 notes

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Spring by Giuseppe Arcimboldo, 1563, oil on wood, 84 × 57 cm, Prado, Madrid
via aleyma

Spring by Giuseppe Arcimboldo, 1563, oil on wood, 84 × 57 cm, Prado, Madrid

via aleyma

12:48 am: barauxfolies35 notes